It is certainly grotesque. Leaders of the opposition are calling it surreal, ubu-esque. I think of it more as the stuff of Jacobean drama, perhaps the sub-plot to one of those gloriously energetic plays whose characters have names like Malateste, Ambitioso, Supervacuo or Sarkozy. Like a Jacobean play, Neuilly is a story of a ruler, his courtiers, his family, rivalry, revenge – and loads of Kensington gore.
Nicolas Sarkozy began his extraordinary, ambition-driven career in Neuilly, a well-heeled suburb of Paris – aged 28 he was elected mayor. Neuilly town hall was his base for nearly 20 years and now, with municipal elections looming, he nominated someone very close to him to be his successor there, the dashingly handsome David Martinon. Martinon rocketed into public view as Sarkozy’s campaign director during the presidential election campaign last year, and as a reward for victory was made the President’s spokesman. He interprets for the world what the President is thinking. Martinon is also close to Sarkozy’s second wife Cecilia, and it is rumoured that he owes his position to her influence. So far little different from a Jacobean sub-plot, for crucially of course everyone in the pit knows that Cecilia’s influence first faded then was cut off abruptly by divorce. The wheel of fortune turns inexorably at court, and can turn alarmingly fast.
Now enter Jean Sarkozy, the ruler’s 21 year old son by a first marriage. Although brought up largely in Corsica, he could be seen as Neuilly natural. His father put him to work alongside David Martinon in the Neuilly campaign. Right from the start it went wrong. “Martinon non non” was the cry that greeted the hapless courtier when he arrived to start canvassing – a protest from his own party. Soon the honest Neuilly-burghers were telling the press “A candidate who wanders round our town with a GPS in his hand doesn’t impress.” Then the ruler’s self-assured, enarque spokesman, used to people hanging on his every word, was said to be having a hard time with a splinter faction of his own troops led by – the ruler’s son. The son of the first wife was putting spokes in the wheel of the second wife’s favourite. Then on Saturday a poll placing Martinon second to an “assorted right” candidate ignited rumours that he must go – or perhaps had already gone. On Sunday Jean Sarkozy somewhat gleefully announced that a triumvirate was taking over. On Monday Martinon announced in two brief and bitter sentences his definitive departure. When Jean Sarkozy was asked his reaction he said “Look at my smile.” Now the daggers are outat the palace : the ruler is away in the distant département of French Guiana and at home the court is saying Martinon cannot remain as the President’s spokesman. No reason is given, he must simply go – unlike say Daniel Bouton, who remains immovable at the head of a huge bank despite its catastrophic performance in every respect. Martinon has done nothing wrong. It is mere revenge, as in the best Jacobean tragedy. The favourite of the woman who ousted Jean Sarkozy’s mother from the marriage bed duly despatched, his corpse thrown to the circling press vultures.
I use that bird deliberately because by coincidence (or is it? Is this really the centre falling apart?) in the same week another female power within the court, the darkly beautiful Minister for Human Rights Rama Yade, called the press “vultures”. In an untypical outburst she accused the French press of relentlessly, irresponsibly digging up dirt about the President (she should try the British or American press). They are clearly hoping, she believes, for a kill. Vulture however was ill-advised choice of metaphor – hounds might have been kinder: after all they bay for the blood of an animal still up and running with a chance of survival; vultures, as I understand it, gather only when death is inevitable and imminent. Does Mme Yade sense the President is already no more than carrion?
Perhaps not consciously, but Sarkozy running away from the press on Monday – he who normally walks so confidently towards them – indeed looked like a doomed creature. The press simply wanted a statement about Neuilly, nothing to do with the President’s private life. It is quite absurd for Sarkozy to claim it is not his problem: certainly it is only a sub-plot, but Martinon was his nomination and is/was his man, who had worked hard to build good relationships with many of the same people asking for a statement. Sarkozy’s own son has himself assumed a major role in this chaotic tale and nobody believes that the father was not party to the son’s actions. And Neuilly was Sarkozy père’s fief for 20 years. Contrary to what M. Sarkozy says, it has everything to do with him
One can of course pooh-pooh the whole thing as a piece of ephemeral theatre. But like any good sub-plot it echoes in a minor-key all the elements of the main story: the ruler’s attempt to control everything, even who is to be mayor of a Paris suburb. The anger that control engenders in people, and when things unravel Sarkozy is fast-vanishing dust in the middle-distance (a family trait: his son Jean allegedly has the same tendency on his motor-bike). The influence of his court, of his three wives to whom, paradoxically for a control-freak, he seems to capitulate easily. And finally the bloody despatch of a key member of the ruler’s team – for David Martinon will, I fear, be swiftly followed by others and, as in any good Jacobean drama, we will soon see a stage littered with corpses. But certainly Neuilly is only a sub-plot – the real tragedy is elsewhere and on a much larger scale: all those changes that France must embrace if it is to get out of the downward spiral.
On that subject I like what Theodore Zeldin, a British member of Jacques Attali’s committee on making France more competitive, told the FT at the weekend:
“He [Zeldin] is enthusiastic about the possibilities for change but expresses frustration with the commission’s intensely technical discussions of subjects and the cobwebs of laws and regulations preventing new initiatives. “The tendency of experts is to fiddle around with their expertise rather than trying to find new solutions,” he says.
“His solutions are far more radical: founding new towns with affordable housing near the coast that can draw food, energy and water from the sea; posting school teachers to foreign countries for a year to experience different cultures; inviting the world’s 100 richest people to the Elysee Palace and asking them to create a global university.
“In reforming France, or any other country, Zeldin argues it is vital to avoid, rather than provoke, confrontation. It is better to allow old problems to wither while encouraging new possibilities to emerge alongside.”
But tragically such fresh ideas are shoved aside in what is fast becoming a tale of unbridled personal ambition and bloody revenge.
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